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聊斋志异之桃花劫
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正是阳春三月桃红柳绿时,黄老爷等人到柳大人家做客。黄老爷酒足饭饱,见爱女黄仪与柳大人的公子柳和玩兴甚欢,竟不顾攀枝之嫌,来一个“择日不如撞日”,把爱女与柳和的婚姻大事就这么定了下来。柳大人家有一门客叫宫梦弼。黄老爷话音未落,宫梦弼就在院内说什么黄老爷现在攀高枝,将来翻白眼之类的话。 柳大人院内有一棵桃花。忽然一阵风雨刮来,柳和从屋内取来一柄大伞,不替黄仪遮风,倒痴人一般去给那棵桃树遮雨。十岁柳和的举动气坏了黄仪,乐坏了一旁的丫鬟桃花。柳大人自知颜面扫尽,不顾门客宫梦弼、丫鬟桃花的劝阻,持斧砍向那棵桃树,当时就给柳家带来了灾祸。 柳大人从此一病不起,家道从必将气走的宫梦弼请回来,待丧期过后择日将黄家小姐黄仪娶进门来。柳大人去世后柳和谨遵父命,过了丧期就去黄家提亲,结果正应验了几年前宫梦弼说的那句话,黄老爷先是不认人,后来要柳和拿三百两银子来提亲。 柳和回家拿母亲的金银细软,当了三百两银子去再见黄老爷,(其间桃花曾施妖法将金银细软消失,在宫梦弼的帮助下又找了回来)黄老爷竟然后悔当初“开价”太低。可当黄老爷接过三百两银子准备暂扣时,发现捧在手里的不是银子,而是一只癞蛤蟆。原来,这一切都是丫鬟桃花所为。桃花是一只栖身于柳家的桃花仙子,柳和自幼爱护桃花,桃花仙子误以为柳和对她有情,遂不满于柳和与黄仪的婚事。 女大十八变,黄仪是个好姑娘。父亲贪财如命将其深锁闺房,黄仪竟然逃出黄府,女扮男装前来寻找柳和。桃花一路作梗,阻止黄仪前来,结果黄仪还是找到了柳和的家门口。事已至此,柳和的母亲将黄仪留在家中,桃花不断施展妖术,处处与黄仪为难,一度将黄仪置于心肠歹毒之地。 宫梦弼几次规劝桃花不成,临走时给黄仪面授机宜。黄仪烧掉了院内桃花曾经栖身的那棵枯桃树,桃花在柳母面前再次将黄仪置于不义之地。柳和延缓了婚期,刻苦攻读,赴京赶考,金榜题名,出任本地县令。大婚之日,桃花再度施展妖术,最终让宫梦弼说服,成全了柳和与黄仪的百年之好,自己凋零为桃红花瓣,随风散落一地。 [1]

酷客影视

洗牌
日本日语1981
典型的早期日式朋克电影,黑白影像+连续而晃动的手提摄影+朋克乐,石井当年就是以此片出道的。。。    This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).    After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.

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